I began this painting with expressive charcoal marks, moving quickly and instinctively. I mixed the paints and got started, I had a rough idea of how I wanted to start the brush marks but then it moves beyond that and it takes on its own energy.
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Freeform, loose brushmarks
This mini painting began with loose charcoal marks. I used wide paintbrushes to be as expressive and free as possible.
Freedom
Freedom was painted around the time of the Winter Solstice. I moved while I imagined flowing rivers and looking through woodland into the sun, inky dark sky and stars are seen. There is an ending and a beginning. There is lightness and darkness. I’m proud of its luminous light. I love the movement and energy I captured.
Adventure
Adventure was painted at the same time as Freedom, around the Winter Solstice.
Invigorate
I took forward ideas and brushmarks from my previous paintings and mixed a dark grey again. I began with a circle form. I worked out colour by colour while the acrylic paint is wet, layering, spontaneously merging and mixing on the canvas, moving the brush slowly and purposefully to connect the paint with the canvas.
Red Roses
I created this painting in September when the rose bush was in full bloom. I tried a new technique, dribbling ink across the canvas to create a web of rose stems, which looks very ‘climbing’ rose. I really like the end result, it has a dark, gothic feel.
Pale Pink Roses
This was an exciting experiment in discordant colours, which are colour combinations that contrast, clash, or “fight” rather than harmonize. Yep, got that! I also wanted it to be a simple multi-directional composition. I used painted newsprint for the stems which is surprisingly difficult to control. I love the unexpected result.
Winter Pansies
Who doesn’t love purple and blue pansies? The rich colours and velvety texture; nature is wonderful. I love how this has come together. I did a lot of work studying the distinctive foliage ‘clusters’ and feel happy with the form and how the leaves have blended into the inky, textured background to give depth. The colours are so fresh and bright.
Autumn Leaves
This is a view of looking down at newly fallen hawthorn leaves on the ground, the incredible surface pattern with pops of red, orange and yellow. I went to town on a dark, moody Turner-esque inky background to give depth, and because the actual ground was the tarmac of a kids’ playground. Creativity strikes anytime!